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The musical Young Frankenstein open on Broadway in November of 2007, and it was a hit right from the beginning. The musical is an adaptation of the 1974 film by Mel Brooks, starring Gene Wilder.

Based on Mary Shelley’s horror novel published in 1818, the Gothic story was first made into a science fiction film in 1910. It has since been made into motion pictures, comics, theatrical performances and even a mini series. There have been sequels of the movie, including Brooks’ Young Frankenstein, a story about the original Dr. Frankenstein’s grandson.

Young Frankenstein is a tongue and cheek look at the original Dr. Frankenstein’s grandson attempt at the “family business” after he discovers he’s inherited the original Frankenstein castle in Transylvania.

After arriving at the castle, Dr. Frankenstein’s grandson begins crazy experiments, among them transplanting a live brain in a cadaver. The experiment works, but the brain in defective. The story then follows the newly created monster as he rampages throughout the village, but also find himself in many crazy situations.

The majority of the plot of this musical is largely adapted from Mel Brooks’ 1974 film with the same name. There are just a few minor variations. The movie depicts the young Dr. Frankenstein as a lecturer at a medical school. In the musical, he is a brain surgeon. Although these are different careers, they do offer him equal qualifications to fulfill the task laid before him.

There is a brief scene in the movie version where the monster encounters a young girl. But you won’t find this scene in the play. However, the creature still meets the blind hermit. These scenes were similar to scenes in the original Frankenstein movie.

In the movie, Elizabeth and the monster get married as do Frederick Frankenstein and Inga. In the musical version, although these four do pair up as already mentioned, the play ends before any nuptials take place. The musical has been expanded and has more scenes and longer scenes due to the musical numbers added to the Broadway production. More humor was also added, making the play a comical experience, indeed.

One of the things that makes it so funny is that Mel Brooks was involved with the musical as much as he was with his 70’s movie. Brooks saw how popular The Producers was, he wanted to duplicate its success with Young Frankenstein. Brooks teamed up with Thomas Meehan and together they created the parody of Brooks’ earlier film.

Both Young Frankenstein the movie and Young Frankenstein the musical have received awards and nominations for awards for their performances in this crazy comical adaptation of what was originally a very serious horror film that left no room for humor.

The Broadway musical production of Young Frankenstein is largely adapted from the hysterical movie version starring Gene Wilder. If you liked the movie, you ought to love this musical. Young Frankenstein is certainly a humorous look at the classic horror novel, Frankenstein.

Although Young Frankenstein performed a pre-Broadway engagement in Seattle August 7 through September 1, 2007, there has been no indication that the humorous musical will be showing at any other venues outside New York City. In New York City, however, the play is performing both on and off Broadway.

Jason OConnor writes For http://www.ClickitTicket.com, where you can purchase Young Frankenstein Broadway musical tickets ttp://www.clickitticket.com/broadway-theatre/Young-Frankenstein-Tickets.htm

Learning to dance is fun - and it is easy. In a sense it is like learning a new language - a language in which moods and emotions are expressed in movement; a language of rhythm, grace and harmony. It is new - but in a very real sense it is the oldest language in the world, for dancing is the oldest form of art.

We know people danced as far back as the beginning of recorded history. The dance appeared in various forms in ancient Egypt, Greece and Rome.

Dancing gives expression to a deeply rooted emotion in man so profound as to border on reverence. This is evidenced by the fact that some early dances were a part of religious rites. The Bible mentions dancing in numerous places - one of the most frequently quoted verses being that taken from the 150th Psalm: “Praise ye the Lord in all your songs and dances.”

There is an instinctive urge in all of us to express rhythm. Primitive men satisfy this urge by beating drums and dancing around a campfire until they drop from sheer exhaustion. We, of the civilized world, satisfy this same instinctive urge in a more cultured way. We dance in a conventional manner to rhythmic music and conform to certain set patterns. We observe the rules of conduct that society has set for us.

Dancing is a wholesome, natural outlet for the emotions. It develops grace and poise, timing and balance. Men take pride in their ability to lead their partners with assurance and poise. Girls enjoy the ability to follow their partners smoothly, expertly and correctly. The ability to dance develops personality, and above all - it is fun.

Unfortunately, however, many persons miss out on this fun because they do not dance well. Girls are apprehensive that they will not be able to follow their partners. Men are worried about stepping on their partner’s toes. Many persons are reluctant to try to learn to dance, because they believe they do not have a sense of rhythm.

This is regrettable, for all of us have a sense of rhythm. Rhythm is one of the governing laws that make for order in the universe. Rhythm appears in many phases. The competent typist has rhythm; the public speaker, the musician, the author all make use of rhythm in the practice of their arts. Even the engine in our automobile has rhythm - it must fire in perfect time to operate successfully.

Even after learning a few of the simpler steps, some people are still afraid to relax and keep time to the accompanying music because they fear they will make a mistake and be ridiculed. This fear of criticism and ridicule can be so overpowering as to cause certain persons to become immobile. If the desire to dance is thwarted often enough, a psychological block can be set up in the nervous system which leads to discouragement and a desire to stop trying, and these folks say, “I have no sense of rhythm.”

Dancing has been described as poetry in motion. By observing the similarity between the rhythm of speech, particularly as applied to poetry, and the rhythm of motion, as applied to dancing, anyone who can recite a simple jingle in rhythm can learn to dance.

Occasionally a person will come to our studio and insist that he absolutely has no rhythm. We frequently ask such persons to read: “Mary Had a Little Lamb.” After pointing out to them that they do have a sense of rhythm, or they could not have recited this poem in perfect meter, they develop confidence enough to apply themselves to learning rhythm of movement.

I have never met a person who could speak, who could not recite poetry rhythmically. Reciting poetry, naturally, is easier for most people than moving the body in perfect rhythm. Some people learn to coordinate more easily than others, but with practice it can be learned, and it is simply not true that you, or anyone else, cannot learn to dance because you do not have a sense of rhythm.

Who Else Wants The Dance Lesson To Be A John Travolta On The Dance Floor?

Click here for FREE online ebook!

http://www.thedancelesson.com/

After taking a few lessons the student may find that he has a hitherto unsuspected talent for the art of ventriloquism, which only needs proper cultivation to be made a source of amusement and profit. As in music, there is a certain technique which must be thoroughly mastered before one can become proficient, and certain exercises conducing to voice production and culture which must be faithfully gone through with before one can give an efficient exhibition before the public.

One must learn how to use the mouth and tongue to achieve certain results, how to speak interiorily with entirely motionless and almost closed lips, and how to make each of the sounds or voices used distinctive in tone, pitch and character.

The successful ventriloquist must also be cool, confident and something of an actor. The voices to him present no illusion, and he can judge of his success only by their effect upon his audience. I say no illusion, but this is not quite true; for though he knows that he is creating the sounds, if he is thoroughly proficient, there seems a sort of isolation between himself and the voice which discourses with him. If he is talking with “a man on the roof ” and his performance is perfect, the voice almost seems even to him to be that of another person and he enters into argument with it with as much earnestness as if this were so.

The farther removed a ventriloquist is from his audience, the greater the illusion he creates, and yet it is remarkable how near the auditor can stand to the performer without being disillusioned. During a performance given at a fair in Masonic Temple, Boston, several years ago, I had for my stage only a round dais at one end of the hall, raised scarcely two feet above the floor.

The audience stood so close to the platform that I could almost touch the foremost persons, and I felt that under such conditions I could have very little success. But even here, a bright young lady who stood among those in the first rank of the crowd and directed her attention entirely to my face and lips in order to test the matter, afterward assured me that the illusion of “the man Under the floor” was perfect, and that the voice did not seem to proceed at all from myself. This may sound egotistical, but I simply relate the incident to show the perfection which may be obtained, and for the encouragement of those among my readers who desire to take up the art.

Unlike the magician, who requires an elaborate “fit-up” to properly perform his illusions, the ventriloquist always has the mysterious at his command. From a haystack by the country roadside or from behind the closed portals of an empty store or the depths of an open sewer in the city, he can evoke “spirits” to amaze and mystify the hearers, which yet exist in nothing more substantial than his own voice.

A half-hour’s exhibition of ventriloquism with the aid of mechanical figures, which carry on a bright and amusing dialogue with the performer and possibly contribute a song or two, varied by conversation with invisible people or imitations of various tools and musical instruments after methods which will be explained later, will often be eagerly accepted as an agreeable departure from the monotony of readings and vocal and instrumental music usually given at local entertainments.

Are You Serious About Wanting To Be A Ventriloquist? Here’s How To Master This Time Honored Art!

Click here for FREE online ebook!

http://www.theventriloquist.net/

Detroit City in the early 1900s was a pulsing industrial center, surrounded by sprawling steel and automotive plants. Jobs were plentiful and workers were needed. During that labor wave, thousands of African Americans from the south flocked to Detroit, seeking work and a better life. With them, they brought the Blues.

The music spoke of the struggles, trials and travesties of African Americans in this land. Detroit embraced the music and soon became a hot spot for the Blues, fostering the careers of such artists as John Lee Hooker, Sippie Wallace and Son House.

In addition, Detroit also had a significant impact on the development of Jazz in this nation. Home to the Mckinney’s Cotton Pickers, one of the most influential bands in jazz history, Detroit was and continues to be an epicenter of Jazz expression.

Not surprisingly, Detroit continues to generate a prestigious roster of jazz and blues musicians today. Their music is offered up at both new and historic venues on a nightly basis.

The Firefly Club in Ann Arbor is Metro Detroit’s premier jazz and blues club. The environs are nostalgic with a touch of casual sophistication. It’s the only venue showcasing both top national and regional talents - from top saxophonists and pianists to local Big Band and Dixieland.

Offering superb live jazz and delicious food in an intimate setting, the Harlequin Cafe in Detroit serves up an authentic decor and even more authentic jazz. The jazz shouldn’t be missed here during Detroit’s famous International Jazz Festival.

A Detroit staple for nearly 80 years, Baker’s Keyboard Lounge has hosted most every important and infamous Jazz musician in the country including Dave Bruebeck, John Coltrane, Oscar Peterson, Cab Calloway, and Betty Carter, to name a few. Equally exciting were the unexpected jam sessions - like the night Nat King Cole came to the club and sat in on the piano or Ella Fitzgerald stopped and stayed to sing. Though those golden years are gone by, audiences are still treated to traditional jazz, delicious soul food, and an amazing historic atmosphere.

When the likes of Wynton Marsalis or Detroit-born saxophonist James Carter come to town, they’re known to hang out at Bert’s Marketplace for an impromptu session. Open since the 1980s, the club has infused down-home jazz and soul food. Here, musicians and the audience are known to jam into the wee hours of the morning.

For an evening on the town, pull out the dress clothes and head to Flood’s Bar and Grille. The sleek and eloquent decor draw Detroit’s elite crowd. A sumptuous bar serves up killer cocktails - made only better by the sound of nightly live jazz and R&B. No jeans, sneakers or flip flops - the dress code is strictly enforced.

While it might be Royal Oak, the Blues and food at Memphis Smoke are straight from the South. This premier venue brings in some of the best Blues and Rock talent around and serves up barbecued pork ribs or spicy jambalaya. Acts take the stage nightly, making the restaurant a lively destination any night of the week.

One of Detroit’s best kept Blues secrets is found at Nancy Whiskey’s, a hole in the wall tavern visited weekly by Detroit’s best Blues artists. The food and drink are mildly priced and there’s no cover charge. Try the Nancy Whiskey Burger with a side of the “Live Acoustic” Jazz and Jam every Sunday.

Say supper club and most Detroiters will point to Seldom Blues. Named 2006 Free Press Restaurant of the Year, the high-end restaurant is located in the GM Renaissance Center and features a unique downtown entertainment and dining experience.

Diners enjoy inspired continental cuisine and a breathtaking view of the Detroit River and Canadian skyline. The Lobby Bar welcomes guests to the smooth sound of jazz while in the Main Bar, premium cocktails are served. No longer is it necessary to travel to New York or Chicago to hear the most talented national and regional artists. Seldom Blues’ own renowned recording artist and partner, Alexander Zonjic, performs regularly with his legendary friends.

Checker Sedan provides limousine Detroit service from the Detroit Metro Airport servicing the Detroit Metro region. Detroit travel has never been easier with limousine Detroit service. http://www.checkersedan.com

Up for some music? Want to see your favorite music performer in action? Love the live experience of a concert? Detroit’s capacity for handling big crowds and drawing the biggest names in music makes it a prime destination for concert-goers. This is Motown after all - the city where the likes of Stevie Wonder and the Supremes launched their careers. Rising stars and local bands still find an enthusiastic welcome for music of all kinds in Detroit City.

Fox Theatre
The preservation of the Fox Theatre is one of Detroit’s proudest achievements. The 5,000-seat palace of the arts, arguably the most opulent in the nation when it opened in 1928, was designated a national landmark in 1989 after an $11 million renovation. The Fox is now busy with concerts, family-oriented shows and a wide variety of other offerings. It’s the anchor of the Theatre District and perhaps Detroit’s greatest civic treasure. In 2008, the Fox welcomes American pop band The Jonas Brothers; Grammy award-winning R&B, soul and jazz singer Jill Scott; and Robert Plant and Alison Krauss, recipients of the 2007 Grammy award for Best Pop Collaboration with Vocals, for the track Gone Gone Gone. Audiences can also catch big-name entertainers like comedians Chris Rock and Frank Caliendo.

Joe Louis Arena
Home of the 10-time Stanley Cup Champion Detroit Red Wings, Joe Louis Arena proudly stands along the banks of the Detroit River. The 20,058-seat arena is Detroit City’s largest indoor venue and regularly hosts exciting attractions, including professional sports, college hockey, concerts, circuses, and even Disney on Ice shows. The People Mover stops at its door, so concert goers can park elsewhere downtown and reach the arena quickly. The Foo Fighters are set to rock Joe Louis Arena in 2008. Def Leppard with REO Speedwagon and Styx will also make an appearance here and later in the year, Rush makes a stop at Joe Louis during their extended Snakes & Arrows World Tour.

Cobo Arena
Situated near the Detroit River, the Cobo Arena is one of Michigan’s finest event sites, entertaining national and international audiences for over four decades. While the Detroit Basketball Championships are held here, so are some of the greatest rock and roll concerts in the world - Slipknot, Madonna and KISS, to name a few. Contemporary bands such as Weezer, Jimmy Eat World, Bush, Oasis, Blink 182, and the Goo Goo Dolls, as well as seasoned veterans like Bob Dylan play here. Cobo hosts several sporting and civic events, rallies, gatherings, and location shoots.

DTE Energy Music Theatre
Originally known as the Pine Knob Music Theatre, due to its proximity to the nearby Pine Knob ski area and golf course, the DTE Energy Music Theatre was renamed in 2001 when DTE Energy purchased the area’s premiere outdoor amphitheater. Despite this change, many people still continue to call the venue “Pine Knob” or “the knob.” Many of music’s greatest stars have performed at the theater, including Chicago and Eddie Money. The Detroit venue is also on some of the biggest tours of the summer concert season, including Ozzfest, Gigantour, and Reggae Sunsplash. Canadian power-trio Rush have regarded the DTE as their favorite venue to play in the United States. The blockbuster Police tour makes its stop at the DTE in the summer of 2008. Tim McGraw and Gingantour with Megadeath are also scheduled to appear during the May to September concert season.

Meadow Brook Music Festival
Located at Oakland University, the Meadow Brook Music Festival accommodates up to 8,000 in the expansive outdoor pavilion and lawn seating area. The Meadow Brook Music Festival is the official summer home of the renowned Detroit Symphony Orchestra, in addition to being one of the top concert venues in Michigan, showcasing the musical talents of James Taylor and His Band of Legends in 2008.

Palace of Auburn Hills
Detroit’s premier auditorium-style concert venue is often referred to simply as the Palace, and is home of the Detroit Pistons and hosts numerous concerts and special events throughout the year. Some of the venue’s past big-name entertainers include Sting, David Lee Roth, and Crosby, Stills and Nash. In early 2008, the Spice Girls performed at the Palace as part of their reunion tour The Return of the Spice Girls to a sold-out crowd. The 2008 season also includes Avril Lavigne, Creedence Clearwater Revisited, Santana, Kanye West, Tom Petty, and Celine Dion.

Detroit Symphony Orchestra
Founded in 1914, the Detroit Symphony Orchestra is one of the United States’ most prestigious and accessible orchestras. In 2003, it launched the Max M. Fisher Music Center, a performing arts complex, which has become a popular venue for musical concerts of various genres, including some of the most popular jazz concerts in town. The Max houses the famous Orchestra Hall, the Music Box, Atrium, and Allesee Hall. Excellent acoustics and state-of-the-art facilities make every performance memorable. The Max also has facilities to host conferences, private concerts, banquets and weddings. The Chieftans, Ireland’s musical ambassadors, make their appearance at the Fisher in 2008, as well as five-time Academy award-winner John Williams, followed by New Orleans Jazz and the Mambo Kings.

Checker Sedan provides limousine Detroit service from the Detroit Metro Airport servicing the Detroit Metro region. Detroit travel has never been easier with limousine Detroit service. http://www.checkersedan.com

We normally associate Disney Land with fun and frolic and kids. Apart from entertainment, Disney land has contributed its bit to education of the young in one way or the other. One such program, Disneyland Magic Music Days program, is an educational program for students of music, vocal arts, or dance.

Your group has the chance to demonstrate its natural endowment and to better it in a background that elevates learning and also have fun doing it. The program is available all year, and is open to schools, studios, and other organizations worldwide after auditioning for the program.

Workshops are held by professional maestros in the fields of acting, choreography, comedy, dancing, composing, singing, arranging, music, and conducting, who focus on ameliorating the specific talent of each member of the group. It is hard to find in one place a combination of such a gifted faculty which has made its name in Hollywood and New York amongst other places in the world.

Different type of groups and individuals can audition on different platforms. For example instrumental and vocal groups and dancers can audition to perform on one of Disneyland stages and marching bands for the famous Disneyland parades.
Disneyland Magic Music Days is an experience by it self wherein along with performing at the happiest and most lovable place on earth you get the benefits of world class workshops to add to your talent.

Soundtrack/instrumental workshop, the soundtrack jazz workshop, the tune in seminar, and the percussion workshop for instrumental groups and marching bands: the industry show choir workshop, academy show choir workshop, the academy vocal workshop, the industry vocal workshop, and the express yourself workshop for vocalists the industry dance workshop, academy dance workshop, and the express yourself workshop for dancers: Disneyland Magic Music Days has it all and for all performers. Special workshops are arranged for vocalists and vocalists groups.

Being at Disneyland Magic Music Days in once in a life time opportunity for your group. The performance alone will be an event to remember whereas the information and breeding that the young performers will acquire is priceless.

Each member of each group receives an 8 x 10 glossy picture of their entire group, in full performance attire, in front of the Sleeping Beauty Castle. Although you will not need any help remembering your time at Disneyland Magic Music Days, this photo is an excellent souvenir to share with your friends and loved ones on return from the most unforgettable performance and talent enhancement that you will ever have.

To find more information about music workshops visit http://music-advice.com

Performing magic is great way to meet people or to simply impress your friends. There are some magic tricks that look great to other people but are actually easy to perform. 3 easy magic tricks that you can perform are the Water to Ice trick, the Disappearing Coin trick, and the Magically Burned String trick.

The first trick is very easy to do. It’s called Water to Ice. What you will do is pour water into a cup and then dump out a couple ice cubes and no water. People will wonder how the water turned into ice.

For this trick you need a cup that isn’t see-through. When no one is looking, you will stuff a sponge in the bottom of the cup. Then put a couple ice cubes on top of the sponge inside the cup. While everyone is watching, pour water into the cup. The sponge will absorb the water so when you turn the cup over all that will pour out will be the ice cubes.

The Disappearing Coin is another easy magic trick. For this trick you will sit at a table and place a coin in front of everyone and say something like I wonder if this will work. Then you will take one of your hands and place it over the coin. With three fingers (don’t use your pinky) you will drag the coin across the table making sure you keep your hand and arm parallel to the table. Drag the coin to the edge of the table and let it drop into your lap. Then make it look like you picked it up with your three fingers. As you pick your hand up, rub your fingers together and look surprised like the coin is vanishing. Then turn your hand to the on-lookers and show them your hand is empty.

Magically Burned String is another easy magic trick to perform but it takes a little more time. You have to prepare for this trick by soaking a string in a thick solution of salt water. Make sure there is a lot of salt. Put the string in the salt water and then let it sit for an hour. Take the string out and let it dry. Once the string is dry ask someone to borrow their ring. Tie the string to the ring and then dangle the ring. Take a lighter and burn the string down at the bottom near the ring. The string will burn away but the ring will still be dangling (the salt will stay and it’s strong enough to hold the ring). People will be amazed to see the ring still suspended.

Magic tricks are a lot of fun to watch and they’re even better to perform. Most people believe magic tricks are too hard to learn but this isn’t always true. There are some very easy magic tricks anyone can learn and use. 3 such magic tricks are Water to Ice, Disappearing Coin, and Magically Burned String.

Magic and mentalism guru Ryan Even reveals magic tricks, illusions and mentalism like what you see done on TV by pros like Criss Angel and David Blaine at http://www.MasterMentalism.com

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